In the age of Social Media everyone is posting on Facebook, Twitter, Instagram, Snapchat and all the other emerging Social Networks. From celebrities like Kim K and Rihanna to everyday regular people like me… The year 2013 was the year of the selfie. And it doesn’t look like selfies will be going away anytime soon as Yahoo estimates that 800 billion photos will be taken in 2014. Yup, you read that right… Billions!
So how do you take an awesome selfie? With most smart phones having the flip-the-camera-to-the-front thingy, it has become much easier but here’s some awesome tips to get the best self portrait ever.
1. Gotta Look Good
If you’re just rolling out of bed and still have the sleepies in your eyes and a pillow pattern indented in your forehead, it’s probably not the best time to take a selfie. Make sure you look decent. Comb your hair, put on some make up and check yourself out. You can obviously always retake the picture if you see that your hair is out of place or if your lipstick is smeared all over your face but why waste the time, get it right the first time.
2. Think Background Continue reading “Quick and Easy Tips on How to Take an Awesome Selfie”
There are a lot of people who are simply in love with taking pictures. Some of them transformed the passion into a job and now work as professional photographer. As a professional photographer, you can obtain important contracts for working at big events, but you probably also have your own idea about what photography is and you probably travel a lot, trying to find the best scene for the perfect photo shot. Even though you are a professional photographer, I am sure that you use certain photo effects for the photo shots that you publish in magazines and for the ones that you display in your exhibits. Luckily, this is not a disadvantage, although there are numerous critics who think that the photo effects should not exist.
Both amateur and professional photographers know a lot about photo effects and even add effects to photos. There is nothing wrong in this as long as the photo is enhanced and as long as the photo’s story is not ruined. Those who are passionate about photography and who don’t use photo effects should consider joining a workshop, as learning how to use some cool photo effects is going to be an enjoyable experience that will bring numerous benefits to the one who takes advantage of it. The output can be amazing, so learning how to use the photography effects is a good idea and it definitely isn’t a waste of time.
There are plenty of photographers who know a lot about photo effects, but they don’t use them. Well, here are four reasons why they should change their minds, as they are in a clear disadvantage. Continue reading “Top 4 Reasons Why Using Photo Effects Is A Good Idea”
With the dawning of the iPhone, a whole new age of photography has arrived: the iPhoneography era. Having a camera built into your phone makes it easy to take pictures on the fly. The sheer size of a SLR or DSLR makes it less portable and convenient than a phone, which most people have on them at all times. With all the benefits and fun that come these new smart phones, people everywhere are starting to play with iPhone photography. Here are just a few tips to help make the most of your iPhone photos!
1. Understand your Camera’s Limits
With the much smaller size and limited abilities, it is no surprise that the photos you take with your iPhone will not be the same quality as what you can get with your DSLR. Photos taken with a phone are going to be a much smaller file size so they won’t be able to be printed very big. Also camera phones are not designed to do well in low light situations so knowing this in advance can help you to avoid situations where you may not be able to get the best quality photos.
2. Keep Your Camera Steady
When you first start using your phone’s built-in camera, it’s natural to want to shoot pictures with one hand. However, holding your phone like a camera will steady yourself and ensure that your pictures are as crisp and clear as possible. For the greatest steadiness, be sure to keep your arms in closer to your body (nice and tight), bend your knees slightly and just lightly tap the shutter button with your finger. Continue reading “Seven Tips for Better iPhone Photography”
How The Long Focus Attachment Works For Photographers
The art of photography often requires different types of tools. The preferred tool used at any given time depends upon what the photographer hopes to achieve. Since the purpose of each piece of equipment differs, it would be helpful to have a working knowledge of each one. As a result, photographers will be better equipped to select the right tool. This selection will allow them to take better shots of their subjects.
One important feature of the camera is the lenses, which vary in appearance, design, and purpose. For example, there is the long-focus type that is used in general photography as well as cinematography. With the special attachments, the focal length is longer than the physical length. They comprise a special group of lenses. Their purpose is to lengthen the intake of light, while simultaneously decreasing the overall design and effect.
The long-focus attachments are designed to capture different depth of field. Therefore, they are divided into two groups, medium and super. The former covers about thirty through ten degrees and the latter between eight degrees through one and below. They are designed to enlarge images that are at a distance and to affect the appearance of targeted images. Continue reading “Photography Terminology – What Is a Telephoto Lens?”
When it comes to a high-quality ultra wide-angle lens that is designed for capturing the details and variances in landscapes and architecture, the Nikon 10-24 lens is a strong contender. Following in the footsteps of many premium lenses manufactured by Nikon, this variable lens offers features such as a 2.4x zoom, extra-low dispersion glass elements and an up-close focusing distance. In order to discover more about this particular lens, a review will be conducted that examines the product specifications, benefits of use and claims made by Nikon in regards to this lens. Outlined below is a summary of these aspects that will help anyone make the right decision when considering this lens.
The first part of this lens review will be the discussion of some of the product specifications of the Nikon 10-24 lens. The lens construction consists of a set of 14 elements in 9 groups and there are also 7 diaphragm blades. There are 2 extra-low dispersion glass elements and 3 aspherical lens elements that work with the super integrated lens coating to help reduce lens flare and ghosting. The maximum angle of view in DX format is 61 degrees and can go all the way up to 109 degrees. This lens measures approximately 3.25 inches by 3.4 inches in shape and weighs just a smidgeon over one pound. Continue reading “Nikon 10-24 Lens – How Wide Can You Go?”
The concepts of DPI and Image Resolution create unnecessary confusion. In this article I will show you how to determine the exact image resolution you require for your print projects. This will give you the knowledge you need to never pay for a larger image size than you require, and thus save you money on your projects.
Is there such a thing as a 300 DPI Image?
Not really. DPI stands for “Dots per Inch” and simply tells you how many dots your printer will print per inch across a page. Digital image resolution on the other hand is measured in pixels. They are two completely different animals.
You need to know the DPI of your printer before you can determine the image resolution you will require for your print projects. DPI varies widely. A very fine 300 or higher DPI is usually used for magazines, brochures, etc. when close up quality is required. A billboard will typically use a coarse DPI, such as 50.
We can use elementary school math to determine the image resolution we need to purchase. All we need to do is multiply the DPI of our printer by the height and width (in inches) of our final print. Continue reading “Understanding DPI and Resolution”
Photographers who are new in the field may encounter a lot of theories, terms and rules. One of the most common among these is the ever famous “Rule-of-Thirds”.
The rule of thirds basically lets us imagine breaking an image into 3 parts, both in horizontal and vertical direction. After doing so, you can see a total of 9 squares equally divided. The points where the horizontal and vertical lines intersect are what we call the points of interest. There should be four points of interest – these are the areas where we put the focal point of an image, or where you might consider placing interesting points from your image. Not only does it add interaction with your viewer, but also the horizontal and vertical lines help you identify where you put other elements in which are also vital in the wholeness of your photo.
A good example of this is to imagine a bee sucking nectar from a beautiful flower. Usually, if your subject is a person or an animal, the point of interest can be found on the eyes or wherever you want the viewers to draw their attention to. For the given example, you can either put the imagined upper left point of interest, on the eye of the bee. This provides proper framing and gives a dramatic effect on the portrait. Continue reading “Rule of Thirds in Photography”
Green screen or Chroma key technology is a technique for compositing pictures or various frames into one where a tiny color from one image is removed to enhance the other. This happens when the object in front is made transparent so that the object behind it can be clearly seen. The technique is as well recognized as ‘color separation overlay’. Some although do make use of blue color too but green is the best hue since it is sensitive to the sensors of camera which is able to capture elements that are essential to get a striking result in pictures and videos. One of the most common examples to be referred to here is the weather broadcasting where we see the meteorologist standing in front of map however in reality it is a plain backdrop and later that backdrop is substituted with world or national map.
How the process works?
The principal subject is pictured or filmed by making him stand in front of a single color backdrop, especially green, which is thought to be furthest away from skin tone. The portions of the video, if particularly spoken about using the technique in films, matching with pre-selected hues are replaced by another alternate video or image. In today’s time, green is the color that is mostly used in backdrops. The green channel contains the least noise and has the capability to produce possibly the cleanest mask. Also, another benefit that you get by using this color in the backdrop is that there does not arise a need to have too much of lighting because of its high sensitivity to sensors. Continue reading “Green Screen Works As Best Backdrop”
Some photographers offer basic editing on some or all of the shots that they give to their clients? In the age of advanced digital cameras, shouldn’t the pictures look great right out of the camera if taken by a competent photographer?
Why basic editing is necessary
While it is true, that digital cameras today are better than they ever were, they differ from their film counterparts in many important ways. In the days of film the photographers choice of film had a huge effect on the resulting picture and different films were chosen specifically for different situations. Today, many of these film effects have analogous digital counterparts but the implementation is often clumsy. More importantly the development of the digital negative in the computer inside the camera, can be done much more precisely and effectively by a more powerful computer outside the camera. In fact it is almost always better to use the most neutral settings “in camera”. This results in a shot that might lack sharpness, contrast and pop, but it preserves the most digital information, allowing the photographer to apply these corrections in a much more effective way in post production. Applying these corrections on the computer also allows the photographer to view the images at full resolution, again allowing finer control over the finished product.
The most important element to achieving natural color reproduction is shooting with a custom white balance. The lighting environment (sunlight, shade, fluorescent, halogen etc) that you are shooting in will greatly affect the colors in the photos. A custom white balance taken from a neutral source(usually a grey card) calibrates the levels of red, green, and blue to achieve a perfectly neutral grey. This will get color representation as close as possible ‘in camera” but can often be further honed after the fact. Further corrections that are often done are increasing overall saturation(the amount required great depends on the situation) and adjusting skin tones. Good looking skin tones are vitally important in portrait photography. Some skin tones photograph better than others and can often be greatly enhanced after the shoot. Continue reading “Basic Editing – Why is it Necessary?”
Photographing a fire pit is a delight and a problematic venture. First, to get a good shot of fire, it has to be a darker time of day, such as at dusk. Since that is the case, and darkness has its own set of problems like secondary light sources and their effect on the camera lenses, it is often difficult to get a good shot. Even the moon can cause problems. So, here is a short tutorial to enable you to take a good photo of a fire pit.
Your first consideration has to be that of whether or not your camera can take night pictures. If you’re a digital user, you probably have the ability to adjust your camera settings to allow good night photography. Take a good look at your instruction book and learn how to adjust the shutter speed to stay open as long as you need it to in order to have a good exposure and capture enough light to make a good picture. Most of the time, that adjustment has to be made in manual mode, not Auto (A) or Program Auto (AP) on your camera dial, although sometimes you can make the adjustment in Shutter Priority.
Your ISO will have to be adjusted as low as it can go without making too much “noise” in your picture. Noise is what happens when you get white or black spots or a sort of fog that covers the picture, depending on what you’re photographing, and a fire pit will tend to have white spots, or hot spots, if there is noise. Shutter speed and aperture will take a large role here, so make sure you know your camera’s capability. Continue reading “Fire Pit Photography”